Melissa Farrior is an American Singer/Songwriter based out of Nashville, TN. She blurs the lines between genres with her soulful/country tone and indie/rock influences. She floats between genres with a subtle edginess expressed through her lyrics and sultry tone. Melissa’s new EP, Gypsy Love was released on August 4th, 2023 and is available on all streaming platforms. She is already back in the studio, working on her full length album so keep an eye out for Melissa as she continues to release new music this year.

Austin John is a guitarist from the Hi-Jivers, 4 piece Rock n' Roll/ Rhythm and Blues band that play music inspired by the 50's and 60's. His guitar arsenal has the maturity of a well-seasoned blues guitarist, but with the sting of an explosive rock n' roller. Come see Austin John at Star Rover Sound on Thursdays during April!

Jay Rin is a Nashville-based, Southern California-born and raised, soulful Rock/Americana artist whose raw vocal power and vibrant spirit can be compared to the likes of big names like Janis Joplin, Brandi Carlile, and Bonnie Raitt. Rin is a singer-songwriter and entertainer with a sound that draws from folk and blues and classic and modern rock influences.

Salmon in the Current cover the gambit of musical styles, but they would say they are a rock band. All of their styles mix from Pop Rock, Country, Americana, and Blues. By the likes of Foo Fighters, The Beatles, John Mayer, Garth Brooks, The Lone Bellow, Gary Clark Jr. & many more.

Austin John is a guitarist from the Hi-Jivers, 4 piece Rock n' Roll/ Rhythm and Blues band that play music inspired by the 50's and 60's. His guitar arsenal has the maturity of a well-seasoned blues guitarist, but with the sting of an explosive rock n' roller. Come see Austin John at Star Rover Sound on Thursdays during April!

Arlington Texas native Kendra Remedios brings Lone Star grit and southern charm to country music. She draws from a wide variety of musical influences to create her own brand of country music, infused with a healthy dose of southern rock and blues. Even as teenager her style came through in her powerful Hollywood performances during Seasons 11 and 12 of American Idol where she drew comparisons from the judges to artists like Amy Winehouse and Adele. 

From the hushed, industrial heart of old Detroit, a city etched with the echoes of forgotten rhythms, came an artist known as Zachariah Malachi. He carries with him a soul seasoned by ages of American music, a quiet pilgrimage leading him to Nashville's hallowed ground in the year 2020. Now, he resides deep within the Transylvania territory of the American South, in shadowed, secluded corners whispered to hold ancient secrets, where he has taken on a curious title: The Count of Country Music.

Zachariah Malachi is a weaver of sounds, a craftsman of melodies that seem both timeless and subtly altered. His music, while rooted in the familiar soil of honky-tonk, carries an air of something older, something that has seen many dawns. The echoes of Hank Williams and Jimmie Rodgers are there, yet they are interwoven with threads of something more…distant. Melodies that hint at far-off lands, perhaps from the forgotten corners of Eastern Europe, mingle with the familiar twang of steel, crafting a sound that feels both nostalgic and strangely unfamiliar. He is a guardian of traditional forms, yet his interpretations hold a weight, a depth, that speaks of long, quiet observation.

Austin John is a guitarist from the Hi-Jivers, 4 piece Rock n' Roll/ Rhythm and Blues band that play music inspired by the 50's and 60's. His guitar arsenal has the maturity of a well-seasoned blues guitarist, but with the sting of an explosive rock n' roller. Come see Austin John at Star Rover Sound on Thursdays during April!

Jeff Burke has been a professional musician for over 18 years, specializing in mandolin, guitar, and banjo. He began his career at age 21 as half of the duo Jeff & Vida, performing thousands of shows around the US and Europe. He relocated to Nashville, TN in 2005 and has since gone on to play, tour and record with numerous bands. He began teaching in 2010 and has taught at The Country Music Hall of Fame and the Station Inn Nashville, TN, The Folk School of St Louis and numerous music camps including Nashcamp and Bluegrass Camp Ireland.   Jeff's performances include The Ryman auditorium, Bluegrass Underground, Merlefest, and the New Orleans Jazz and Heritage Festival to name a few.  He is a member of The International Bluegrass Music Association and was a recent panel member on education at their 2017 Leadership Bluegrass Conference.  He holds a bachelors degree in music and philosophy from New York University.       

Originally from the UK, Henri Herbert currently resides in Nashville, TN and tours extensively in the United States and Europe as a soloist. He is a permanent resident of the USA and is now one of the most sought-after blues and boogie pianists in the world. In fact, his Green Card was awarded based on his skill as a blues pianist. From an early age, Herbert was fascinated by the piano-pounding pioneers Jerry Lee Lewis, Fats Domino, and Pete Johnson. A video of Henri playing an impromptu blues on the public piano in London’s St Pancras Train Station has now reached an incredible 72 million views on YouTube and is a regular feature of his live shows.

Soulchess is a band based in Nashville, Tennessee that defies what you may typically think of as ‘Nashville music’. Consisting of members from wildly varying musical backgrounds, the band has a sound that is the epitome of a musical fusion. The band has been going from strength the strength over the last or 2 emerging out of the pandemic guns blazing ready to take on the world. The Soulchess sound is one defined by the band's diverse influences and diverse cultural backgrounds. This band is a breath of fresh air in their home town of Nashville simply by being ‘a band’ opposed to a solo artist. Soulchess are truly ‘a band’. This enables them to act in unison and pull off tricks and synchronized parts that only bands can do after having spent several years playing together. This is in contrast to the hired gun nature of the Nashville music scene. Soulchess’ live shows are where their tight sound comes alive. Soulchess is a band that has to be seen live to appreciate their energy and their sonic ‘tricks’ that wow crowds no matter what venue they are performing at. The band can pull off some seriously good cover versions too that have their own slant on some classics. They are fans of the mashup in all regards, for instance, the band somehow managed to fuse Muse’s ‘Uprising’ into MJ’s ‘The Way You Make Me Feel’. You have to see it to believe it. On top of their musical prowess, this is an entertaining band to watch. From Derrian’s dance moves to the sheer energy and passion of conveyed through the drums, bass, and guitar, Soulchess must be seen and heard.

Myron Elkins didn’t set out to become a full-time musician. After graduating from high school, the then 17-year-old instead became a welder in his hometown of Otsego, Michigan, and had every intention of making that his career. However, fate had other plans. Three years ago, a relative signed him up for a battle of the bands at a local venue, despite the fact Elkins’ only prior experience with live music was playing at church and a few bars in the small Michigan town where he grew up. With just three weeks’ notice, Elkins put a band together featuring three of his cousins and a friend. Although the group didn’t win (they came in second), the experience opened Elkins’ eyes to a very different career path.

Now, at 21 years old, he’s poised to become one of music’s most intriguing new artists with the release of his Dave Cobb-produced debut album, Factories, Farms & Amphetamines, via Elektra/Low Country Sound. Across the album’s ten tracks, Elkins crafts sharp observations informed by his working-class upbringing, infusing his music with rich personal experience. “I actually wrote a lot of these songs on the album in my head while I was welding,” he says. “I just loved to play and write all of the time. Finding people who want to do that with you isn’t always easy, but we made it work. And with this bunch of songs, it made it all worth it.” Musically, Factories, Farms & Amphetamines reflects the gritty mix of classic rock, country and the blues Elkins heard growing up, putting the album squarely in the league of Tom Petty & The Heartbreakers, Bob Seger, and the Allman Brothers. Fittingly, Elkins also boasts a wise-beyond-his-years voice with a broad range. He unleashes a powerful belt on the blues-influenced ache “Old Trauma,” for example, and indulges in some rock ’n’ roll ferocity on “Nashville Money,” a song that breaks the fourth wall while pondering being a recording artist. Another example of Elkins’ observational acuity, he wrote that song in 2021, while in the van driving through Nashville on the way to Leiper’s Fork, where the band stayed while recording the album.

This thematic diversity illustrates Elkins’ instinct-based approach to his music. “For me, songwriting isn’t like, ‘Uh oh, I have to write a song because I need a song,’” he says. “It’s more like, ‘I have this idea and I want to see what I can turn that feeling or idea into musically.’ It’s like if you have a sugar tooth or something, you need to go get something sweet, maybe some ice cream.”

Patrick Sweany lives for the Grooves. 

Whether it's the ones he records on his albums, the ones he lays down with his band on the stage, or the ones that define his days writing songs and living life in his E. Nashville neighborhood, the Grooves are what have propelled Sweany through 20+ years of performing and recording across 8 studio albums and dozens of countries around the world. Being in the Groove is Sweany's recipe for success. To say 2020 has disrupted these Grooves, is a severe understatement. The cancellation of live music in the U.S. for the past several months initially ground Sweany's Groove to a halt. However, it hasn't all been bad. The time away from the road and away from the studio has forced some introspection and reflection. Serendipitously, Sweany had begun a new experiment in 2019 teaming up with Andrew Trube and Anthony Farrell (the Austin duo known as Greyhounds) to rework and re-record some of his oldest compositions. Taking songs from his first two records, Sweany headed into Bud's Recording Services, Greyhounds' studio while on tour in Texas. Together with his touring band, Sweany reworked about a dozen older songs and even tracked a cover and a never-released tune. The experience was rewarding and fun, but with tour dates pending, the rough tracks sat on the shelf for several more months. Once back in Nashville, Sweany began working with local producer Dexter Green at 3 Sirens Studio. Dex began meticulously shaping and mixing them and Get That Feeling was born. Nine Mile Records is releasing two batches of these recordings (volumes I & II) in 2020 and 2021 while Sweany writes and records another full-length album of new compositions. The songs represent both a look back over Sweany's long career and new collaborations that showcase some sides of Patrick's songs you might find surprising.

​It's never too late to find a new Groove.

Myron Elkins didn’t set out to become a full-time musician. After graduating from high school, the then 17-year-old instead became a welder in his hometown of Otsego, Michigan, and had every intention of making that his career. However, fate had other plans. Three years ago, a relative signed him up for a battle of the bands at a local venue, despite the fact Elkins’ only prior experience with live music was playing at church and a few bars in the small Michigan town where he grew up. With just three weeks’ notice, Elkins put a band together featuring three of his cousins and a friend. Although the group didn’t win (they came in second), the experience opened Elkins’ eyes to a very different career path.

Now, at 21 years old, he’s poised to become one of music’s most intriguing new artists with the release of his Dave Cobb-produced debut album, Factories, Farms & Amphetamines, via Elektra/Low Country Sound. Across the album’s ten tracks, Elkins crafts sharp observations informed by his working-class upbringing, infusing his music with rich personal experience. “I actually wrote a lot of these songs on the album in my head while I was welding,” he says. “I just loved to play and write all of the time. Finding people who want to do that with you isn’t always easy, but we made it work. And with this bunch of songs, it made it all worth it.” Musically, Factories, Farms & Amphetamines reflects the gritty mix of classic rock, country and the blues Elkins heard growing up, putting the album squarely in the league of Tom Petty & The Heartbreakers, Bob Seger, and the Allman Brothers. Fittingly, Elkins also boasts a wise-beyond-his-years voice with a broad range. He unleashes a powerful belt on the blues-influenced ache “Old Trauma,” for example, and indulges in some rock ’n’ roll ferocity on “Nashville Money,” a song that breaks the fourth wall while pondering being a recording artist. Another example of Elkins’ observational acuity, he wrote that song in 2021, while in the van driving through Nashville on the way to Leiper’s Fork, where the band stayed while recording the album.

This thematic diversity illustrates Elkins’ instinct-based approach to his music. “For me, songwriting isn’t like, ‘Uh oh, I have to write a song because I need a song,’” he says. “It’s more like, ‘I have this idea and I want to see what I can turn that feeling or idea into musically.’ It’s like if you have a sugar tooth or something, you need to go get something sweet, maybe some ice cream.”

Michael Corleto is a Kennebunk, Maine native. Since the age of 10 Michael has always had a guitar in his hands and throughout the last decade he has honed his craft. In conjunction with the guitar he also sings, writes his own music and lyrics, dabbles in a handful of various stringed-instruments, and plays well over a hundred gigs per year. Michael's musical taste is derived from numerous genres ranging from early-blues and classic rock to the bluegrass and mountain music of Appalachia. 

Songs from the heart. There's no better way to describe the music from Hunter Peebles. The human experience is filled with heartache, loss, love and joy. Hunter's songs capture these sentiments with seemingly effortless simplicity and depth. Hailing from southern Illinois, just east of St. Louis, MO, Hunter reflects his influences in country, folk and Americana soundscapes.

Originally from Tacoma, Washington, learning to pick and sing from his grandfather’s record collection, Birkedahl cut his teeth on 50's and 60's rock n' roll and classic country music. Both of which can be witnessed during his dynamic live shows, recordings and songwriting. In 2016 at the age of 29, Brandon made the move to Nashville, Tennessee where he currently resides and performs five nights a week. You can find him on stage every Friday and Saturday night with his band “The Beer Joint Jumpers” at the world famous Robert’s Western World. He is also the co-frontman and lead guitarist of Nashville’s premier Honky-Tonk band “The Cowpokes”.

Myron Elkins didn’t set out to become a full-time musician. After graduating from high school, the then 17-year-old instead became a welder in his hometown of Otsego, Michigan, and had every intention of making that his career. However, fate had other plans. Three years ago, a relative signed him up for a battle of the bands at a local venue, despite the fact Elkins’ only prior experience with live music was playing at church and a few bars in the small Michigan town where he grew up. With just three weeks’ notice, Elkins put a band together featuring three of his cousins and a friend. Although the group didn’t win (they came in second), the experience opened Elkins’ eyes to a very different career path.

Now, at 21 years old, he’s poised to become one of music’s most intriguing new artists with the release of his Dave Cobb-produced debut album, Factories, Farms & Amphetamines, via Elektra/Low Country Sound. Across the album’s ten tracks, Elkins crafts sharp observations informed by his working-class upbringing, infusing his music with rich personal experience. “I actually wrote a lot of these songs on the album in my head while I was welding,” he says. “I just loved to play and write all of the time. Finding people who want to do that with you isn’t always easy, but we made it work. And with this bunch of songs, it made it all worth it.” Musically, Factories, Farms & Amphetamines reflects the gritty mix of classic rock, country and the blues Elkins heard growing up, putting the album squarely in the league of Tom Petty & The Heartbreakers, Bob Seger, and the Allman Brothers. Fittingly, Elkins also boasts a wise-beyond-his-years voice with a broad range. He unleashes a powerful belt on the blues-influenced ache “Old Trauma,” for example, and indulges in some rock ’n’ roll ferocity on “Nashville Money,” a song that breaks the fourth wall while pondering being a recording artist. Another example of Elkins’ observational acuity, he wrote that song in 2021, while in the van driving through Nashville on the way to Leiper’s Fork, where the band stayed while recording the album.

This thematic diversity illustrates Elkins’ instinct-based approach to his music. “For me, songwriting isn’t like, ‘Uh oh, I have to write a song because I need a song,’” he says. “It’s more like, ‘I have this idea and I want to see what I can turn that feeling or idea into musically.’ It’s like if you have a sugar tooth or something, you need to go get something sweet, maybe some ice cream.”

Hunter Loken Parcel is a proud, unapologetic, singer-songwriter from the great state of North Dakota. The phrase, “salt of the earth,” comes to mind when thinking of a way to describe Parcel. As he recounted vignettes from his life, the scope of his storytelling detailed not only him as a person, but also the land and the people from which he emerged. His lyrical rhetoric paints vivid images of the snowy prairies of home, and the profound passion that has carried him away to Nashville, Tennessee. Drawing inspiration from the likes of Kerouac and Ginsberg, Parcel has molded his own identity as a storyteller who continues to find inspiration in the landscapes that reared him. Hunter Parcel mentioned that he wants to create music that connects to people on a human level.

Myron Elkins didn’t set out to become a full-time musician. After graduating from high school, the then 17-year-old instead became a welder in his hometown of Otsego, Michigan, and had every intention of making that his career. However, fate had other plans. Three years ago, a relative signed him up for a battle of the bands at a local venue, despite the fact Elkins’ only prior experience with live music was playing at church and a few bars in the small Michigan town where he grew up. With just three weeks’ notice, Elkins put a band together featuring three of his cousins and a friend. Although the group didn’t win (they came in second), the experience opened Elkins’ eyes to a very different career path.

Now, at 21 years old, he’s poised to become one of music’s most intriguing new artists with the release of his Dave Cobb-produced debut album, Factories, Farms & Amphetamines, via Elektra/Low Country Sound. Across the album’s ten tracks, Elkins crafts sharp observations informed by his working-class upbringing, infusing his music with rich personal experience. “I actually wrote a lot of these songs on the album in my head while I was welding,” he says. “I just loved to play and write all of the time. Finding people who want to do that with you isn’t always easy, but we made it work. And with this bunch of songs, it made it all worth it.” Musically, Factories, Farms & Amphetamines reflects the gritty mix of classic rock, country and the blues Elkins heard growing up, putting the album squarely in the league of Tom Petty & The Heartbreakers, Bob Seger, and the Allman Brothers. Fittingly, Elkins also boasts a wise-beyond-his-years voice with a broad range. He unleashes a powerful belt on the blues-influenced ache “Old Trauma,” for example, and indulges in some rock ’n’ roll ferocity on “Nashville Money,” a song that breaks the fourth wall while pondering being a recording artist. Another example of Elkins’ observational acuity, he wrote that song in 2021, while in the van driving through Nashville on the way to Leiper’s Fork, where the band stayed while recording the album.

This thematic diversity illustrates Elkins’ instinct-based approach to his music. “For me, songwriting isn’t like, ‘Uh oh, I have to write a song because I need a song,’” he says. “It’s more like, ‘I have this idea and I want to see what I can turn that feeling or idea into musically.’ It’s like if you have a sugar tooth or something, you need to go get something sweet, maybe some ice cream.”

Luke Munday, born and raised in Nashville, Tennessee, grew up just north of the city near the Kentucky border, where his passion for music was nurtured from a young age. By the age of 9, he had already picked up a banjo, and within three years, he added the guitar to his repertoire. His formative years were spent immersing himself in the rich musical culture of Nashville, honing his skills at local jams, from the old schoolhouse jam in Millersville to the renowned Station Inn jam on Sunday nights. Festivals, pick parties, and contests across the state further fueled his love for music, with the Cherokee North Carolina festival being an annual family tradition. In 2024, Luke made his mark on the country music scene with the release of his debut single, “Squeaky Wheel,” which was well-received and showcased his ability to blend traditional country sounds with a modern, commercial edge. Following closely on the heels of this success, his second single, “Old Folks,” will be released on November 8th, continuing to build on the momentum of his unique blend of classic and contemporary styles. Luke’s music is a blend of country and bluegrass, enriched by his deep appreciation for the classics. His influences are vast, ranging from Merle Haggard, George Jones, and Johnny Paycheck to Ray Charles, Del McCoury, and Mel Tillis. Despite his diverse career, including working in bars, construction, music stores, and even gas stations, his dedication to his music has remained strong. Luke Munday is on a mission to deliver what he believes is the true country sound, infused with a modern, commercial edge. His goal is simple yet profound: to write and create authentic, good music, regardless of the genre or style. Luke’s journey is a testament to his unwavering commitment to his craft, making him a compelling voice in the country and bluegrass music scene.

With a captivating sound that is a mix of Rock, Hip Hop, Blues, and Country, Luke Wood is an incredibly fascinating artist. An Alabama native, his music is heavily influenced by the sound of late 90’s Rock. His songwriting and lyricism is motivated by real life experiences, emotion, and storytelling, allowing audiences to easily connect with his music as it can resonate with many walks of life. Wood returned to songwriting in 2016 after a brief hiatus. Now experiencing music and writing as a form of therapy and self-reflection, a love for the art he long thought gone, was rekindled. Since then, he has used that fire in his approach to his career, going on to perform live at music venues around the southeastern United States.

We are Mark and Andrew, twin brothers from Scituate, MA playing Folk Rock in Nashville, TN. Growing up on classic rock, we later found a connection to roots blues and outlaw country. We took to Nashville in 2019 to continue our pursuit of life in music.

For over 25 years, Corey Congilio has immersed himself in rich and diverse musical career. His experience as a touring guitarist, session musician, educator and presenter has proven to be invaluable in connecting with audiences around the world. As a guitarist versed in all contemporary styles, Corey has supported artists of all genres from Blues, Rock, Country, RnB and Jazz. He’s performed with Joss Stone, David Lee Murphy, Lucie Silvas, Radney Foster, Cassadee Pope, Derek St. Holmes, Danielle Bradberry, Laura Bell Bundy, Barbara Blue and others. In addition to his work as a session musician, Corey writes and performs his own music and in 2016 released his first EP “Well Suited”. Since 2010 Corey has authored over 30 instructional guitar courses. His teaching platform WorkingClassGuitar.com and YouTube channel host weekly lessons, performances and gear reviews. At the heart of Corey’s work is the blues. Having been a lifelong sideman and hired gun, Corey has recently begun his journey as a solo artist. He is currently writing and recording new music that is rooted in the blues while retaining his original voice. Corey currently resides in Nashville, Tennessee where he works as a guitarist and educator.